Glossary

Seven Emotions (七情, Qi Qing)

The Seven emotions are harmful internal influences which affect the specific organs. These originated in the Liji (3rd century B.C.E) but have evolved throughout history to include lists of five, six and seven emotions (Fruehauf, 2006). The first medical descriptions come from a series of statements in the Su Wen ch. 5:

"Joy and anger harm the Qi () ... Violent anger harms the Yin (); Violent joy harms the Yang ().
... Anger harms the Liver (); sadness overcomes anger () ... Joy harms the Heart (); fear overcomes joy () ... Pensiveness harms the Spleen (); anger dominates pensiveness () ... Sorrow harms the Lung (); joy dominates sorrow () ... Fear harms the Kidneys (); pensiveness dominates fear ()."
This introduces a simple attribution of emotions to elements and their corresponding organs, along with a basic notion of emotions harming the essential substances of Qi, Yin and Yang. It is later modified in Su Wen ch. 39 which adds a sixth emotion and a theory that specific emotions cause the Qi to move in a particular direction:
"When one is angry [ : Nu], then the Qi rises. When one is joyous [ : Xi], then the Qi relaxes. When one is sad [ : Bei], then the Qi dissipates. When one is in fear [ : Kong], then the Qi moves down... When one is frightened [ : Jing], then the Qi is in disorder... When one is pensive [ : Si], then the Qi lumps together."
These theories can be united by considering that a persistent movement of Qi can harm the Organ that is most affected by that particular movement.

To these is added You which can be translated as anxiety, worry, fear, concern, sorrow, trouble, grief, distress or sadness and is probably the closest to our catch-all term of "stress" to make seven. It has a similar effect to sorrow in making the Qi disperse and affecting the Heart and Lung.

An additional complication is added in the Ling Shu ch. 8 which tackles excess and deficiency in each of the organs, but emotions are attributed only to the Heart and Liver:

"Liver Qi deficiency leads to fear [ : Kong]; excess leads to anger [ : Nu] ... Heart Qi deficiency leads to sorrow [ : Bei]; excess leads to unceasing laughter [ : Xiao Bu Xiu]."
It goes on to make some special statements about particular organs: This makes a much more complex picture where the emotion represented does not always accord with the simple associations given in the Su Wen. However, when their Five Phase relationships are considered, then some of these attributions become clear: The unifying theory is that emotions may all originate from the Heart and Liver, but the state of these Organs causes the Qi to move in particular directions which ends up affecting particular Zang through one of the Five Phase relationships. These are often a triangular relationship where an excess overcomes its subordinate, which then fails to nourish its child, who cannot then control the original excess; or conversely, an essential deficiency which therefore cannot nourish its child or control its subordinate, leading to a breakdown in the dynamic that results in further deficiency. To determine the effect of emotions it is therefore necessary to evaluate the emotion using its effects on Qi movement and the dynamics of the Five Phase relationships in relation to the symptom presentation and history.

Herbal Medicine

Qi Qing 七情 is also used to describe the seven types of interaction herbs may have with each other. These are:

  1. Single Effect (单行 dan xing)
    A balanced herb that can be used alone, e.g.:
  2. Mutual Accentuation (相須 xiang xu)
    The combination of two herbal substances with similar functions will accentuate their therapeutic actions, e.g.:
  3. Mutual Enhancement (相使 xiang shi)
    The combination of two or more substances with different actions in which one of the substances enhances the effect of the other in a specific clinical situation, e.g.:
  4. Mutual Counteraction (相畏 xiang wei)
    Literally "mutual fear" and refers to a combination in which the toxicity or side effects of one substance are reduced or eliminated by another, e.g.:
  5. Mutual Suppression (相杀 xiang sha)
    Literally "mutual killing" and is same as Mutual Counteraction but focusing on the herb that performs the beneficial suppressive action, e.g.:
    • Lu Dou and Ba Dou, where Lu Dou reduces the toxicity of Ba Dou
    • Ge Hua and alcohol, where Ge Hua reduces alcohol intoxication
  6. Mutual Antagonism (相恶 xiang wu)
    Literally "mutual aversion" and refers to the ability of two substances to neutralise each herb's positive effects. Traditionally, there are eight pairs and one trio of substances that have mutually antagonistic effects on each other known as the "nineteen antagonisms" (十九畏 shi jiu wei). These are:
  7. Mutual Incompatibility (相恶 xiang fan)
    Literally "mutual opposition" and occurs when the combination of two substances causes side effects or toxicity which would not be caused by any one of the substances if used alone. Traditionally there are three sets or a total of eighteen substances called the "eighteen incompatibilities" (十八反 shi ba fan). These are:
    Gan Cao with:All forms of Wu Tou, including Fu Zi, Cao Wu and Chuan Wu with:Li Lu with: